FINALE
Saturday, June 8, 2024 | 7:30 PM
Victoria Fine Arts Center
1002 Sam Houston Drive
FRANZ LISZT (1811 – 1886)
Les préludes
Camille PÉPIN (b. 1990)
The Sound of Trees, double concerto for clarinet, cello, and orchestra
- Paisible, boisé (Peaceful, wooded)
- Plus lumineux, irisé (Brighter, iridescent)
- Céleste, planant (Heavenly, soaring)
- Entétant – Tournoyant, hypnotique (Captivating – Spinning, hypnotic)
- Apaisé, boisé (Calm, wooded)
- Mystérieux, flottant (Mysterious, floating)
Vangel Tangarov, clarinet
Gregory Sauer, cello
INTERMISSION
CAMILLE SAINT-SAËNS (1835– 1921)
Symphony No. 3 in C major, “Organ”
- Adagio – Allegro moderato – Poco adagio
- Allegro moderato – Presto – Maestoso – Allegro
Renée Anne Louprette, organ
Victoria Bach Festival Orchestra
Alejandro Hernandez-Valdez, conductor
VBF Orchestra
VIOLIN I
Nicholas Tavani, concertmaster
Jackson Guillen
Haley Dietz
Maria Lin
Bruce Colson
Stephanie Noori
Joan Carlson
Abigail Bellorin
James Anderson
Turner Partain
Steven McMillan
William Naranjo
VIOLIN II
Juan Jaramillo, principal
Caleb Polashek
Jose Flores
Bruce Kanagaki
Susan Doering
Melissa Balli
Boel Gidholm
Gesa Kordes
Lee Taylor
Katie McCoy
Nina Mavrinac
Austin Gabrillo
VIOLA
Désirée Elsevier, principal
Ames Asbell
Meghan Beaudry
Luis Bellorin
Jann Cosart
Brett Detweiler
Colin Garner
Vincent Marks
Ethan Rouse
CELLO
Gregory Sauer, principal
Justin Balli
Carol Anne Bosco
Barbara George
Christopher Haritatos
Shawn Sanders
Dieter Wulfhorst
DOUBLE BASS
Andrew Potter, principal
Ali Cook
Chris Flores
Dave Milburn
Jonathan Rouse
FLUTE
Rachel Woolf, principal
Hilary Janysek
Diana Sipes
OBOE
Ian Davidson, principal
Korrigan Korthauer
Mika Valenzuela
CLARINET
Vanguel Tangarov, principal
Nikolay Blagov
Ryan Stockhausen, clarinet / bass clarinet
BASSOON
Amanda Swain, principal
Katia Osorio
Bryan Chin-Foon
FRENCH HORN
Tom Hale, principal
Brett Kroenig
Jill Rodriguez
Peter Rubins
TRUMPET
Chris Carrillo, principal
Lauren Eberhart
Ron Ledbetter
Mary Thorton
TROMBONE
Javier Stuppard, principal
Owen Homayoun
Martin McCain
TUBA
Raúl I. Rodríguez, principal
TIMPANI
Sherry Rubins, principal
PERCUSSION
Thomas Burritt, principal
Graeme Francis
Andrew Furman
HARP
Elaine Barber, principal
PIANO
Faith DeBow
Ekaterina Tangarov

Sponsors
Darrell & Carol Rangnow
Janey & Melvin Lack
This concert is generously supported by our concert sponsors and by donors to the Victoria Bach Festival’s Annual Fund. Many thanks to our generous supporters!

Alejandro Hernandez-Valdez, conductor
Esteemed conductor and pianist Dr. Alejandro Hernandez-Valdez was named Artistic Director of Musica Viva NY and Director of Music of the historic Unitarian Church of All Souls in Manhattan in 2015. He is also Co-Founder of the New Orchestra of Washington and Artistic Director of the Victoria Bach Festival. He has earned accolades from The Washington Post as a conductor “with the incisive clarity of someone born to the idiom,” as well as praise from The New York Times for leading “a stirring performance” of Brahms’ Ein Deutsches Requiem. At a concert commemorating the 100th Anniversary of the WWI Armistice (featuring the world premiere of Joseph Turrin’s cantata And Crimson Rose Once Again Be Fair) Oberon’s Grove wrote: “Maestro Alejandro Hernandez-Valdez drew rich, warm sounds from the musicians” in “a beautiful and deeply moving program.” He is featured in El mundo en las manos/Creadores mexicanos en el extranjero (The World in Their Hands/Creative Mexicans Abroad), a book by the Mexican Ministry of Foreign Affairs honoring Mexican nationals who are leading figures in diverse artistic fields. He is the recipient of a 2016 Shenandoah Conservatory Alumni of Excellence Award for his exemplary contribution to his profession, national level of prominence, and exceptional integrity. He resides in New York City and Washington, D.C.
In 2016, during its 40th anniversary season, Hernandez-Valdez was named the third Artistic Director of the Victoria Bach Festival in Texas. As Mike Greenberg wrote in Classical Voice America: “A big question mark hung over the venerable Victoria Bach Festival two years ago when the brilliant Craig Hella Johnson, its artistic director since 1992, decided to give up the post…Johnson’s successor has replaced the question mark with an exclamation point — perhaps more appropriately, given his Spanish name and Mexican provenance, two exclamation points: ¡Alejandro Hernandez-Valdez!”…“The results,” Greenberg continued, “were astonishing.”
Since taking the helm at Musica Viva NY, described recently by The New York Times as “an excellent chorus,” Hernandez-Valdez has presented an exceptionally broad repertoire in each of the choir’s seasons, focusing on transformative interpretations to engage and inspire the audience, and exploring the acoustical limits of the All Souls Church sanctuary. Founded in 1977, the ensemble has a longstanding tradition of top-caliber performances, innovative programming, and strong dedication to the commissioning of new works. Its alumni include Renée Fleming and Samuel Ramey.
As the Artistic Director and Co-Founder of the New Orchestra of Washington, a chamber orchestra that “has constituted itself in the forefront of this smaller-is-better movement” (The Washington Post), Hernandez-Valdez has led two performances for Trinity Wall Street’s concert series: the New York premiere of Julian Wachner’s Chamber Symphony (a New Orchestra of Washington commission), and Gustav Mahler’s Fourth Symphony, which the ensemble also recorded. In October of 2017, the New Orchestra of Washington released Bespoke, a new CD featuring works by Joel Friedman, Elena Ruehr, and Julian Wachner that were tailor-made for the innovative Washington D.C. based ensemble.
His guest conducting engagements include appearances at The Kennedy Center in Washington, D.C., Lincoln Center in New York City, and the Degollado Theatre in Guadalajara, Mexico, where he led the Jalisco Philharmonic. As a pianist, Hernandez-Valdez performed for the 2013 Britten100 festival in New York, organized by the Britten-Pears Foundation to honor the 100th anniversary of the titular composer’s birth. As a composer and conductor, he helmed the premiere of his own composition, “The Imaginary City,” a cantata inspired by the life of Ramzi Aburedwan, a violist who has opened schools throughout Palestine to teach music to underprivileged children. He also arranged and premiered the chamber orchestra version of “A Song of Nature” by Seymour Bernstein. Mr. Bernstein, the subject of Ethan Hawke’s 2014 documentary film, Seymour: An Introduction, is one of Hernandez-Valdez’s most influential teachers and mentors.

Vanguel Tangarov, clarinet
Dr. Vanguel Tangarov is an Associate Professor of Clarinet at Texas State University and the Artistic Director and Founder of the annual international clarinet event, the Texas State Clarinet Fiesta. Vanguel Tangarov also holds the position of Principal Clarinetist with the Austin Opera, Mid-Texas Symphony, and Victoria Symphony Orchestras.
Prior to his current roles, Tangarov served as the Principal Clarinet of the Sofia Philharmonic Orchestra in Bulgaria (1993-1998), the Academia Chigiana Symphony Orchestra in Italy (1993-1997), the Jeunesses Musicales World Symphony Orchestra in Germany (1993-1994), and the Monterrey Symphony Orchestra (OSUANL) in Mexico (1998-2004). He has distinguished himself as a soloist, performing with orchestras such as the Györ Symphony in Hungary, the Mid-Texas Symphony in the USA, the Plovdiv Philharmonic, the Rousse Philharmonic, the Varna Philharmonic, and the Sofia Philharmonic in Bulgaria, as well as the Constanta Philharmonic in Romania, the Monterrey Symphony (OSUANL), and Monterrey Chamber Orchestra in Mexico. His repertoire includes works by composers such as Mozart, Weber, Copland, Jean Françaix, Cimarosa, Giampieri, Bernstein, Pipkov, and Artie Shaw.
Tangarov’s illustrious career has taken him to over 20 countries across four continents, earning him acclaim from critics and audiences alike. He is equally renowned as a soloist, recitalist, and chamber musician and has graced prestigious venues worldwide, including the Berliner Filharmoniker Hall (Berlin), Gewandhaus (Leipzig), Schauspielhaus (Berlin), Concertgebouw (Amsterdam), Oslo Konserthaus (Norway), Cadogan Hall (London), Symphony Hall Birmingham (UK), Boston Symphony Hall (USA), Bulgaria Hall (Sofia), and Zaragoza Hall (Spain), among others.
Tangarov’s journey in music began with studies under the guidance of Dimitar Boyanov at the Dobrin Petkov Music High School for gifted students in his native country. He continued his education at the National Academy of Music “Prof. Pancho Vladigerov” in Sofia, Bulgaria, where he earned his Bachelor of Music and Master of Music degrees in clarinet performance, studying under the tutelage of the renowned pedagogue and concert artist, Petko Radev, a former Principal Clarinetist of Teatro Alla Scala in Milan, Italy. Tangarov further honed his skills by completing his Doctor of Musical Arts degree at The University of Texas at Austin, under the mentorship of Richard MacDowell. He also received instruction from esteemed musicians like Aurelian Octav Popa in Romania and Gerald Pahinger, the Principal Clarinetist of the Vienna Symphony.
Tangarov’s solo appearances have left a lasting impression on audiences, including recitals at the 2018/2022 Neo-Path International Festival, the 2022/2023 VIMA Grand Strand Music Festival in Myrtle Beach, SC, and the 10th Anniversary Season Bulgarian Concert Evenings in New York in 2015. He has also participated in numerous International Clarinet Fests in 2023, 2022, 2019, 2018, 2017, 2016, 2014, and 2010, held in Denver, CO, Reno, NV, Knoxville, TN, Ostende, Belgium, Orlando, FL, Lawrence, KS, Baton Rouge, LA, and Austin, TX. In addition, he performed at the opening ceremony of the 2014 International Plovdiv Chamber Music Competition in Bulgaria. His artistry can be heard on recordings as the Principal Clarinetist in a Naxos Label recording titled “Circus Maximus” by John Corigliano with The University of Texas at Austin Wind Ensemble, as well as on Harmonia Mundi Label recordings such as “Samuel Barber: An American Romantic” and the 2017 GRAMMY-nominated “Craig Hella Johnson: Considering Matthew Shepard.” He has also contributed to the soundtrack of the movie “Knight of Cups,” directed by Terrence Malik, in addition to more than 10 other recordings.
Throughout his career, Tangarov has received numerous accolades and prizes in both national and international clarinet competitions, including the Prague Spring International Competition in 1996 (6th place overall), the United Nations International Clarinet Competition in Portugal in 1994 (4th place overall), the First International Clarinet Competition in Romania in 1993 (2nd prize), “The Music and the Earth” International Chamber Music Competition in Bulgaria in 1993 (3rd prize), the Bulgarian National Clarinet Competition for French Music in 1997 (1st prize), the Brahms Academy Competition for Chamber Music in Bulgaria in 1993 (2nd prize), the Bulgarian National Radio-Mozart Chamber Music Competition in 1991 (1st prize with a clarinet quintet), and the Bulgarian National Clarinet Competition in 1990 (1st prize).
Vanguel Tangarov proudly represents Buffet Crampon & Vandoren as a Performing Artist and Clinician, exclusively performing with Buffet Crampon, Paris clarinets and Vandoren Paris products.

Gregory Sauer, cello
Gregory Sauer, professor of cello at Florida State University, enjoys a vital and varied career as a teacher and performer. He has appeared in recital at prominent venues across the U.S. andat universities such as Vanderbilt and Rice University. Mr. Sauer has performed concertos with the Hudson Valley Philharmonic, the Houston Symphony, the Quad City Symphony, Oklahoma City Philharmonic, the Columbus (GA) Symphony, and the Missoula Symphony,among others. His most recent recording on the Albany label is titled Conversa, and features 20th and 21st century Brazilian and North American duos with pianist Heidi Louise Williams. As a member of the Carpe Diem String Quartet, Greg played concerts in Carnegie’s Weill Recital Hall, Siena, Italy, and in the group’s first China tour. Other chamber music appearances have been at the Austin Chamber Music Center, the Victoria Bach Festival, and the Colorado Music Festival. In addition to the Florida State position, Sauer has taught at the Texas Music Festival, Green Mountain Chamber Music Festival, and the Oklahoma Summer Arts Institute.

Renée Anne Louprette, organ
Hailed by The New York Times as “splendid,” and “one of New York’s finest organists,” Renée Anne Louprette maintains an international career as organ recitalist, collaborative artist, conductor, and teacher, and is director of the National Competition in Organ Improvisation. She is a U.S.-Romanian Fulbright Scholar who spent the Fall 2022 season in Brașov, Transylvania, completing research on historic Romanian pipe organs. She is Assistant Professor of Music and College Organist at Bard College where she directs the Bard Baroque Ensemble and leads an annual Bach cantata series. She has directed the organ program at Mason Gross School of the Arts, Rutgers University since 2013 and is a former faculty member at the Manhattan School of Music, The Hartt School of the University of Hartford, and the John J. Cali School of Music of Montclair State University.
Ms. Louprette has performed solo organ recitals at Royal Festival Hall in London, Walt Disney Concert Hall in Los Angeles, the Cathedral of Notre Dame in Paris, and at festivals in Italy, Germany, Switzerland, Belgium, France, Denmark, Sweden, Romania, and the United Kingdom. She has appeared as concerto soloist with the Queensland Symphony Orchestra in Australia, the Auburn Symphony Orchestra in Seattle, and The Orchestra Now in New York. Additional collaborations have included the Mostly Mozart Festival Orchestra, Piffaro, American Brass Quintet, Los Angeles Dance Project, American saxophonist Paul Cohen, Romanian saxophonist Zoltán Réman, and traditional Irish musician Ivan Goff. She has released solo recordings of the music of J. S. Bach and 20th-century French organ masterworks to critical acclaim. Her current recording of Bach’s Clavier-Übung III performed on the Craighead-Saunders organ of Christ Church, Rochester, New York, is scheduled for release in 2023.
Renée Anne Louprette holds a Master of Music degree in conducting from Bard College Conservatory, a Bachelor of Music degree summa cum laude in piano performance and Graduate Professional Diploma in organ performance from The Hartt School, University of Hartford. She was awarded a Premier Prix – mention très bien – from the Conservatoire National de Région de Toulouse, France and a Diplôme Supérieur in organ performance from the Centre d’Études Supérieures de Musique et de Danse de Toulouse, where she studied with Michel Bouvard, Jan Willem Jansen (interpretation) and Philippe Lefebvre (improvisation).
Renée Anne Louprette is represented in North America exclusively by Phillip Truckenbrod Concert Artists, LLC.